Darling

May. 1st, 2025 12:27 pm
tiny_voices: 13 avatars from The Palace arranged in a roughly square shape (palace avatars)
The thing about it was, he and I could never agree on whether the weather was good or not. I love the heat, the sun, the sweat. Sure, it got uncomfortable sometimes, could even be dangerous, if you were caught out in the day too long with no shade and not enough water. That’s what happened to Aluminum Jim. He went sun crazy, came running back into town with wobbly eyes and peeling skin, talking nonsense. But to me, there’s just something careless and free about the heat.

Daniel on the other hand couldn’t stand to be in the sun for much longer than it took to smoke a cigarette. He’d complain about how irritated and damp he was, muttering about it damn near the whole time I’d take him on rides through the dunes. Not a big fan of horses, either. My girl Cinnamon would huff and trot all nice for him and she’d be lucky to get a polite pat on the snout for her trouble.

That was the other thing about Daniel— if he didn’t deem you worth it, or if you just didn’t match up with his rules, he would hardly give you the time of day. He had a face like a saint, the locks of a lamb, and eyes the color of sunset rocks up on Wise Man’s Point. And he spoke soft and clever, like there was a poetry book tucked into his chest pocket.

Copper Clark and Darling Daniel, well, we were a wonder.

It’s been a while now, but I can’t help but think about the day I learned what kind of man Daniel really was. Where he changed from the gossamer fabric vision I had of him into flesh and blood and venom. You see, out here in the sticks and tumbleweeds, you’ll meet some of the nicest people in the whole world. But in turn, you’ll also meet the nastiest rattlesnakes of your life. Sometimes these two kinds of people are one and the same.

I was at the shop, having a nice talk with Nickel-and-Dime Bertha and her wife Sherry, when the kids from Silver Shack crashed in, guns drawn. They called for my money, wrestling the ladies to the floor. I figured the boys were bluffing, and I managed to scare half of ‘em out the door with a quick shot of my own pistol. But then what happened was a regular shoot out, right there in my own shop, with my two shop hands coming in from the back to lend their metal.

Soon, the windows were all destroyed, patrons wreathed in shattered glass and empty shells. The leader of the Silver Shack group and his right hand called for a duel outside, all old fashioned. I agreed, shouting throughout town for Daniel. Finally I spotted him holed up behind Tyson’s place, looking all shifty eyed and shaken.

“You’re the best shot I got,” I told him. “We can take these boys out, you and me, I know we can.”

We had taken on rougher dances before. He and I had run Ol’ Sharptooth Shan out of town before, more than once. We had even fended off the blood wolves the previous fall. Daniel and I were that kinda pair. But he was as hard to convince as a vacuum salesman that day. I kissed him and his smile didn’t quite reach his eyes. I figured it was jitters.

Silver Shack stood at one end of the alley, my boy and I at the other. Guns holstered. Brims tilted low. Aluminum Jim counted down, straight and steady despite his shakes.

But at the two count, Daniel pulled his pistol and put a bullet in my leg. I hit the dirt with a shout, expecting another shot to finish me off, but the remainder of the fire was aimed skyward, victorious. I wiped the sweat and dust from my eyes to see the Silver boys hopping onto their horses and riding like the wind. Daniel followed them a second later… up on Cinnamon’s back.

Our eyes met for but a moment, like a flash of lightning. I couldn’t read him, though the look he gave me I had seen him give to others many times before.

I guess my worth to him ran out that day. After all, silver pays more than copper.

***

(this was a bit of daily writing i did when given the prompt of "gay cowboys." it ended up being an exercise in voice, and a rather successful one, i'd say.)
tiny_voices: 13 avatars from The Palace arranged in a roughly square shape (palace avatars)
“Collin? Buddy, are you there? Man, I could really use your advice right now.”

Today was fucking awful, had been since the moment Doug woke up this morning, but he had been thrown one single, solitary bone in the form of his roommate being out. Doug could do and say whatever, unobserved.

“Collin?”

He was desperate, but not quite panicking. Desperation, tragically, made him feel more confident in this. This could take a little bit of a time; Collin was hard to get a hold of sometimes.

Minutes passed. Nothing. Doug’s hands shook as he wiped his sweaty palms onto the denim of his jeans. “Collin, please,” he tried again.

His roommate’s clock tick-tocked incessantly on his desk. Doug sat down and reached for the half-empty bottle of water on his own desk and took a pull to ease his drying throat. Halfway through this, Collin picked up. A healthy, startled mouthful of water erupted back out of Doug’s throat, and he spent a moment sputtering and coughing all of it into his lap.

“H-hey, man, fuck, you spooked me. You’re too good at that.” Doug paused to cough a bit more, wiping his mouth on the back of his hand. “Good to hear from you. It’s— I know it’s been a while, I’m sorry. It’s been a fucking rough couple weeks, you know that. Sorry.”

Collin went on, and Doug listened. With Collin on the line, he felt a little better. Emotionally. Physically he was still fucked, but that mattered less. “Yeah, I really appreciate it. Listen, listen, I need to know something. I’m hoping you can find out.” Doug cleared his throat, suddenly nervous. “Collin, um… is Yena cheating on me?”

The subsequent pause wasn’t long. It wasn’t even 30 tick-tocks on that damn clock. But all the same, Doug’s heart was racing. He clacked his teeth together, and he hated that he did that. Collin hadn’t liked it when he did it when they were kids, but he couldn’t help it right now. When Doug swallowed a swig of water it felt like dull needles in his throat, and his skin felt like it didn’t fit his body properly.

“...She is.”

Doug rose from his chair in increments. First his left foot pressing against the floor, then his right. He leaned forward and shifted his weight as though he were in a film that was missing every third frame. At least he didn’t puke this time.

“Yena’s cheating on me.” Only four words, but how expensive they were. “I knew it. That’s the sick thing about it, Collin. I knew something was wrong, and I think I knew what it was, but I just had to be sure. I just… needed to hear it from you. Gods.”

He ran a hand through his hair. It was greasy and made his palm tingle strangely, as though he had pinched his ulnar nerve.

“Fuck! Fuck, man. I can’t believe she’d— wait. No, stop— the rest of you, don’t, please—”

Doug grabbed at his head— more tingles— before covering his ears. This was fruitless, of course, but he hadn’t ever figured out how to fight the instinct in times like this. He regretted standing now but didn’t trust himself to move back down to the chair.

“There’s too many of you, it’s too loud. Please stop. Collin, can you— can you make them go away? It’s not personal, you guys, it’s not, but— so loud… Don’t say that. Shut up!”

Doug staggered to his bed, hurting his shins as he bumped them into the wooden frame and fell forward. He burned from the inside out. “I know I should’ve been better, but that doesn’t mean— I could have been, but she didn’t— No, I’m not trying to make excuses— listen to me, just bring Collin back, he’ll get it, he can explain—”

He whipped onto his back, catching rug burn on his arm for it, and stared unseeing at the underside of his roommate’s bed. “Shut up! This isn’t my fault, she’s the one that cheated! Please stop, please stop screaming.”

Tears trickled down Doug’s face. One track even made it to his ear. Doug wrapped his arms around his torso, feeling too tight in his bones and yet loose enough to make him worry he would detach from himself at any moment. That scared him more than anything. He knew where he would go if that happened.

“Okay, okay, maybe I was kind of pathetic,” he managed after writhing on the bed for a few minutes. The noise was incessant. “Yena— she deserves more than me. I get it, I know. I’m sorry. Collin, if you had been here, man, you would’ve known what to do. You were always better with girls than me.”

His throat clicked when he swallowed. He dared to reach up and press a finger to his pulse. It was a rabbit’s BPM. He almost laughed at it. They wanted what he had so badly. It was sad, really, since they had had it before. They ought to have known it was a little overrated. They ought to have known better, seeing him as he was now, and every other day of his fucking life.

Doug’s voice came in a hoarse whisper, “is she happier with him?”

The answer was immediate. It hit him like a sucker punch. Doug flinched into sitting upright, blood seeping from his nose. He coughed around it as he scrambled for the box of tissues on his desk. He sputtered and cried into a fist full of tissues for a while. The sole relief was that his head was quiet now; the voices had flowed into silence along with the blood.

Once he had steadied himself somewhat, Doug slinked off to the bathroom and washed his face. He watched the last traces of blood run down the drain before glancing up at the mirror. His own reflection was thoroughly regrettable, but Collin hovered just behind his shoulder. Concern sat heavy on his brow, which was shaded by the bill of his old baseball cap. He wordlessly, heavily, patted Doug’s shoulder. Doug recoiled from it, just slightly.

And to an empty and silent room, Doug murmured, “thanks, buddy.”
tiny_voices: nate barcalow from the band Finch, tinted blue (august)
it's funny how i'm sitting here, just across the room from you, feeling like you're an ocean away from me. or more accurately, that i'm an ocean away from you. it's funny how it always comes down to me, or it seems to, at least. i think of the way promises sit on your lips, perched on your teeth. i think of the way your eyes only meet mine for fleeting moments. what do you see when you look at me? do you see the same promises, or are they already broken before they leave my throat? maybe it's more likely you see nothing. that wouldn't surprise me, that you look at me and think nothing in particular. a neutral entity. just some guy. some guy in some band in some city, who cares. that stings like a fucking wasp but it wouldn't surprise me at all.

sound check is still ringing in my ears. i'm nervous. that's not new, i'm used to getting nervous before each show, but somehow this one feels different. i guess it's because you're going to be in the crowd. i won't know what to do if i see you out there, under the darkness and the lights and the screaming and sweating, unaffected and not caring. you're good at that. too good at it. i have to let it push me forward, to make me scream harder (haha) or else i'll stumble and panic and disappoint everyone.

i was gonna write something about the double edged sword of being the center of attention but i'm gonna try to have some dignity. gods. get a grip.

niko keeps saying this weird thing about VHS tapes. jesse's pissed at him for it but he keeps laughing so he's not actually mad. liz said she's gonna stop smoking again. for reals this time. i hope she can. mat joked about slapping the cigs out of her hands but liz said he should and she wasn't joking. they keep trying to cheer me up and it works sometimes. between shows (and trashing truck stops, ha) we've been watching a lot of Cricket Cabin. funny, comforting in a quiet-evening-grandma's-blanket sort of way. "ah, woe is me, tortured artist, i'm always climbing myself into trees and tossin' rocks at myself. wait, that's good, i gotta write that one down. the fellas at the Ol' Saddle will love that one..."

anyway, if you're in Crowdshade tonight and you want to get sweaty, come see us. treehaus, 8 pm.

-dammmmm gus

[posted by dam_gus on Saturday, Hellex 26th, 1003 @ 4:34 PM]

sinking.

Oct. 12th, 2024 02:00 am
tiny_voices: half-orc goth girl in her bedroom (dakota)
to the girl at Gloom last night that danced with me and pulled my hand under her skirt: you were lovelier than the lace you were wearing and your mouth was sweet and dark like an autumn evening, but i just couldn't give you what you wanted.

and that half moon smile that dripped with borrowed light did not reach your eyes. we were waning from the first moment. you walked off, silent under the din of the club, and i was adrift again. part of me wishes i could just not care, that i could throw the weight off my shoulders, that i could've found you again and been your paramour until night's end.

but i do care, i can't throw anything off, and i won't find you again.

now i lie here with the sun forcing its way through the drawn curtains and remember someone else. the most important someone else in the world. it feels inadequate to call her that, like calling a star a speck, or calling a home a house. i lie here longing for the shape of her. beautiful and unreal waiting outside classroom doors, under the willows, in her driveway.

i feel like i'm being crushed by my own mistakes. my past decisions are iron shackles locked around my ankles and every step without her is a miserable struggle. i was just so fucking scared. i still am. i fear the lack of safety and the lack of normality. but when have i ever cared about normal and safe? why does it feel like i gave up more than i can even comprehend? like i gave up the key to feeling safe and normal? i think i gave up the moon. without its tides my heart is a sinking stone in a deep ocean.

[posted by acrylic_cynic on Sunday, Zwolven 19th, 1004 @ 10:55 AM]
tiny_voices: 13 avatars from The Palace arranged in a roughly square shape (palace avatars)
LINOLEUM MAGAZINE PRESENTS:

Interview with icebox: on their upcoming album and being stone(d) cold

Interview and article by Nick McNally. Posted Ryfa 20, 1004.

CLICK HERE TO READ INTERVIEW

I met the four members of icebox the other day, behind the locally-famous club The Hideout. It was midday, springtime sun shining brightly, though we mostly lounged in the shade. The lawn chairs provided by the club's owner and the graffitied concrete set a gritty but casual tone for the interview and photo shoot. The band was passing around a joint, save for lead vocalist and occasional secondary guitarist Kova Iven, who didn't want to blur her focus even with several hours before the band would hit the stage that night. Drummer Aubrey Maplekey offered the joint to me, practicing proper stoner etiquette, though I also declined. She and guitarist Dev Dezaar remained composed but noticeably more loose-limbed and spacey as the joint burned on. Bassist Finn Apollor seemed to handle his hits the most smoothly, his already friendly and well-articulated demeanor remaining consistent throughout our time together.

I opened our conversation by telling the band we had been getting a lot of people writing in asking us to do a story on icebox. The group seemed mildly pleased to hear that, although Dev's reaction was tempered with a set of skeptically narrowed eyes.

NICK: So, real quick, can you catch us up on the band's history, for those who don't know?

DEV: Ah, big leagues now. Origin story, for all the new fans.

KOVA: We formed in 999, put out music in 1000, 1001, and 1003. We've had some great tours, a couple rough ones. New album... soon. And we're still on Scratched.

NICK: How did the band form?

DEV: Corporate espionage.

KOVA: No. [laughs] Me, her, and Aubrey met in high school. Aubrey knew Finn and invited him to try out.

AUBREY: 'Cause he's really good, man. He was in jazz band and played in these crazy prog rock bands and shit.

NICK: You played in prog rock bands before icebox? That's quite... the musical jump.

DEV: You can say a step down, it's okay.

FINN: [laughs] Yeah, before icebox I was kinda rotating through a few different prog bands. The last one was basically PHROG, if PHROG weren't actually very good. Not a cover band, but I think we really wanted to be PHROG. But we, uh... we weren't. And then I joined icebox.

KOVA: We didn't really have a bassist set in stone yet. We had a couple people in mind, but Finn just had better chops. Even without playing much fast music before.

NICK: Be honest, did the three of you ever doubt that he'd be a good fit, in terms of attitude?

DEV: I did. I thought he was a fuckin' nerd. But I got over it when I realized he helped us write better music.

AUBREY: I didn't really care 'cause he's been my buddy for a long time. I was like, ah, it'll be fiiine.

KOVA: Yeah, no, ultimately we were concerned with the music and the shows. You don't have to wear spikes and dye your hair green to be in a punk band. It's not a uniform.

It became clearer, the more time I spent around the band, that both Kova and Dev are quite self-aware individuals, though this trait manifests differently in either of them. Kova sees the world through clear eyes and reacts with optimism and gruff but charming earnestness. Dev on the other hand notices the world's sharp edges before they cut and treats them with cynicism, often ahead of schedule. Though Kova denied being the quote unquote leader of the band, she and Dev seemed to be at the wheel, while the rhythm section keeps the tires spinning. Kova writes the majority of the lyrics, with Dev penning a song or two now and then. (Those one or two are some of my personal favorites: big rec to "Need No One" and "SMS.") A key part of the band's song-writing process is to put on a movie, mute the volume, and riff over the silent scenes until something clicks.

DEV: Ew. I don't like to call it the song-writing process.

AUBREY: What would you call it then?

DEV: Hmm. Violence.

AUBREY: Okay, bro.

DEV: For real though! I'd call it violence. I'm ripping something out of me and turning it into a song.

AUBREY: And she says she hates emo kids.

DEV: I do! Don't call me emo.

All of them seem to share a certain sense of humor, making jabs at each other with practiced ease. Kova, the least involved in the trading of emo-related insults, appears unfazed by it, even happy to let it continue in the background of the interview.

NICK: Kova, you featured on a song by The Oils, on Gravel. You've done some touring with them; how has it been, working with them?

KOVA: I wouldn't even call it working. We don't really work with The Oils, we're friends.

DEV: Partners in crime.

KOVA: That too. We came up in the same scene, around the same time. I think of The Oils as kind of another side of the coin from us. They're more scratchy, more monochromatic, but never boring, and we're a bit more colorful. Sun, moon, that kind of thing.

DEV: Did she say "another side of the coin?" Girl, there's only two sides.

KOVA: I'm getting a contact high. Shut up.

FINN: Yeah, Darla's on one of our new songs too.

NICK: Guest vocals?

KOVA: That's right. It's called "Honey/Vinegar." It was originally an instrumental we would play at sound check and such that grew into something better. But it wasn't growing right at first.

AUBREY: We were hacking away at that thing for, like, months.

DEV: That's what she--

(Kova kicks her in the leg.)

AUBREY: It was originally two songs, right? And we tied 'em together. And we played it for Oils and Darla was like, add this and this to it. And we were like, dude, you should do that!

KOVA: We have a lot of fun with them. They're the real deal.

Icebox swept me up into a series of tangents and so, for a while, we discussed the group's hobbies and complaints. Outside of drumming, Aubrey skateboards (apparently she has more than once done tricks off the roof of The Hideout, and managed to stick the landing once or twice). Kova works at a grocery store that shall remain unnamed (it's a soul sucker though). Dev said "fuck work" at least twice and, unemployed, currently sleeps on Kova's couch. Finn is the only one enrolled in any sort of education, and is on track to graduate with a botany degree in the next few months.

NICK: I have to ask, is your choice of major related to a particular substance that's fueled much of our conversation today?

FINN: What? No.

Eventually we got back to discussing the band's upcoming album, titled Sunburst. It's their fourth overall release on independent label Scratched Records, and their second full-length album. All four bandmates perked up at the subject, seeming excited to talk about their latest collection of songs and soon-to-follow tour. Despite the group's careless, never too serious affect, the way they talk about their music betrays a real sense of personal investment.

NICK: What's been your approach to this new record?

KOVA: All the things we've done before-- or, most things-- but bigger and better.

DEV: We're all just better at our instruments now. I've learned so much shit about amps and heads and pedals. Not that I'm a big pedal guy, but I've experimented a little.

FINN: Dev's kind of become our tech nerd-- hey, in a good way. I think the new songs sound familiar but in a more evolved form.

DEV: We did some synth-keyboard shit on a couple songs. Started out as a joke but then we figured out how we can make it sound good.

KOVA: We try to get the crowd involved, in our shows. I mean, they mosh and dive and that's great, but with these new ones especially we want them to sing along and scream with us and have it mean something. It's still fun, it's still us, but... I don't know. My songs always came from a real place or real emotion I had, but I ended up finding things to say that felt a little more necessary. And we've been listening to a lot of Reckless Attack lately, so that's been a big inspiration too.

NICK: Is that your way of saying your lyrics are getting more political?

KOVA: Yes and no.

Here the vocalist pauses to think and Dev, breathing out smoke and sitting forward in her seat, picks up where she left off.

DEV: Our shit's always been political, just not in a vocab test, buzz words, straight up "fuck the government" way. Just like, ground-level stuff. Working sucks, money sucks, school doesn't teach you important shit, that kinda thing. And now, since we started a few years ago, everything is more... uptight. People are suspicious as fuck, you know?

KOVA: As in, they're paranoid of everything. "This means they're doing magic, that means they're doing drugs, if we let this happen we're all going to die..."

FINN: As they say, it's an anixety culture.

AUBREY: I think a lot of it is an outlet. People act crazy, we feel crazy, we play crazy.

KOVA: And I tie a lot of it back into community and, sometimes, the Champions. We have a song, "Holy Weapon," that's about how music and the scene can be a tool to bring people together and ignite them. That's how you start making things happen.

NICK: Are you doing this out of a sense of community, then? For the scene?

KOVA: I'd say so.

DEV: We make music for us. Don't know if you were going there, but we're not really thinking about going to a major or anything. We're good. If people like our songs, awesome, if they don't, I don't see it as a loss. I mean, the scene is usually pretty solid, but people can let you down...

KOVA: Without the scene I think we'd be a little adrift. I want the things I create to bring people together. Even if that's only the two people that work at the bar. Even if it's just venting about someone being an asshole at a house show. That's the feeling I bring to the music.

AUBREY: It makes us happy when you come to our shows and scream and run around in circles.

DEV: Yeah, we don't half-ass it, so you don't get to either.

FINN: Whole ass only, please.

Icebox originally formed for fun, but these four take their craft seriously. This may prove to be key, as many other bands of this time period don't last even the few years that icebox has managed. In the ratty world of punk rock-- perhaps especially in it-- passion is a band's lifeblood.

NICK: You all seem to have a fire in you when it comes to this band.

FINN: I disagree.

NICK: You do?

AUBREY: Yeah, we're icebox. No fire, just stone cold.

KOVA: More like stoned cold, huh?

DEV: Well, there's your fuckin' headline. There's your title. You're welcome.

icebox's new album, Sunburst, releases Tansa 5, 1004.

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